Painterly texture technique tutorial

In this tutorial I’ll demonstrate how I take a simple image and combine it with layers of other images to create a one-of-a-kind work of art.

Follow along with your own images to see what you can come up with.

Lets get started

Screen shot 2013-05-09 at 9.59.20 AMChoose an image and prep it in Adobe Camera Raw by applying a small bit of sharpening, increasing the clarity and vibrance.

Hold down the ‘shift’ button and click on OPEN IMAGE. (Note, I’m working on a MAC, so if you are on a Windows machine, replace COMMAND with the Windows equivalent)

Continue reading

Posted in Adobe Photoshop, experimental, technique | Tagged Adobe Photoshop, photo-art, texture, tips, Wacom tablet | Leave a comment

More creative tools with blur and sharpen

Take just 5 minutes and create something amazing out of something ordinary.

With this little tutorial for photoshop you have yet another tool with which you can produce a distinctive look to set your work apart from the many photographers.

Enjoy this cool and quick tutorial.

photoshop tutorial

Posted in Adobe Photoshop, experimental, technique | Tagged artwork, Photoshop, sharpen, tuturial | Leave a comment

Sharper Images with 5 Easy-To-Remember-Tips and No Computer

Before you get to a computer or tablet, lets improve your chances of getting sharper photographs from the start with these little tid-bits.

Portrait tips on location

Tim the Blacksmith

First, try shooting at around f5.6 – f8. With most camera lenses the best results and least amount of image distortion occur at these settings. If in doubt, you may be able to find some imperical data in a study on-line if you look up the make/model of your lens.

Second, always shoot at the lowest possible ISO that allows you to hold the camera in your hand with the shutter speed set at the same or slightly greater speed as the number of your lens. IE: are you shooting with a 50mm lens? Then to avoid blur, don’t shoot any slower than 1/60 sec. Do you have a 55-200 set to 100mm? Don’t shoot any slower than 1/125 sec. Mind you, if you have a vibration reduction type of lens (VR), then you have a bit more room to play. Test it and see what speeds you can comfortably hand hold and still get a sharp image when enlarged on the computer monitor.

Third, if at all possible; use a sturdy tripod. To take this a step further I would say for exposures created with slow shutter speeds on a tripod, use a remote trigger or shutter release cord of some kind. Which ever is appropriate for your camera. If you don’t have access to one, perhaps your camera has a shutter release countdown option. Set it for the time specified, press the shutter and step back while it counts down and then makes the exposure for you. This is a very handy technique for shooting night scenes, such as star trails and fireworks.

Fourth, when you hand hold your camera remember to gently squeeze the shutter button. In fact some manufacturers suggest rolling your finger onto the shutter button to make the exposure. I’ve yet to try this technique but I can see the logic behind it. With the finger already resting on the camera, you avoid any sudden movement by placing the finger originally on the camera body instead of the shutter button. Give it a try.

Fifth, give your body a chance to steady your camera for you by securing your stance with your feet apart and your elbows in to your sides. Additionally, support your camera from underneath and hold it firmly to your face. If your camera has both a viewscreen and a small viewfinder with which you set up the shot, use the smaller of the two. This will give you better stability and sharper images because of the additional support.

Come back soon to see some suggestions for improving images after the exposure

Posted in equipment, technique | Tagged easy tips for sharp images, image sharpness, stabilize the camera | Leave a comment

How was it lit?

Sometimes a simple approach is the best.

There are situations that call for the biggest lighting kit you could possibly handle. Like photographing the interior of a cathedral, or a group portrait of two dozen footballers. These can be difficult to set up, control and produce; especially if you are a one man or woman business.

photography lighting

 

And then there is the above situation.

A static setup with the subjects placed prominently in the scene that I shot for a local woodworking magazine while back. (sorry for the poor magazine scan)

Now the question to you is, how was it lit?

I’d love to hear your input.

Please leave a comment below with your best description of equipment, angles etc. Brand name and manufacturers aside, just the basic info that you can deduce from what you are looking at.

I’ll pop back in a week or so with the correct answer.

Let’s see who can get closer to the truth on this one.

 

If this type of post proves popular, I’ll make it a regular feature.

Thanks a bunch.

Posted in commercial, equipment, portrait, technique | Tagged lighting | Leave a comment

Photoshop as a source for textures in photo-arts

You CAN create your own texture layers right on your desktop.

This past year I ventured into a different type of photography work. Based on the work of some long gone Dutch painters such as Vermeer, I set out to create work that presented my impression of local scenery.

I had already made a number of images of the various tourist spots around town, local events and other commonly appreciated views, so now it was just a matter of blending these images with the appropriate texture layers to make the pictures complete.

After capturing the scene with the DSLR, I needed to ad layers (sometimes many) in order to bring the image closer to what I had envisioned in my mind. This would involve either gathering texture files from online sources, photographing natural objects and uploading the files and now, creating my own textures in Photoshop.

Lets look at a method of how to create texture in Photoshop for layering with your images.

Keep in mind that this is my method, and will probably gather its share of doubters and critics. So use it as you wish and feel free to alter any of the steps to your satisfaction.

First off, I set the size of the image at a respectable 3000 x 2400 pixels at 72ppi with a white background.

I then create a second empty layer, and fill it with the base colour for the texture layer I have in mind.create texture in photoshop

With a variety of brushes loaded in the brushes palette, I’ll pick a tone similar to the base colour already used to fill the new layer. I may then randomly apply brush strokes on the layer or on a layer above it. This give me an idea of what I will get somewhere down the road, but it is my now means fixed in stone.

As I slowly add brush strokes, I’ll change up the brush and add some variety so they don’t start to form a pattern or look man-made. Note, using the Wacom tablet makes this technique so much easier that fighting with a mouse.create texture in photoshop

Keeping the idea of variation in mind, I will take a look at the huge variety of brushes available and swap the current brush in use for any number of the styles on hand.

After I have used the current colour tone to satisfaction, then I will choose a different colour tone, or perhaps apply the eraser to the canvas in order to add a bit of roughness by removing colour in small strokes or spots.

Adding and removing colour, making the image appear to be smooth or rough; it’s all achieved by taking a bit of time and playing with the options.

More layers mean more colours and I perhaps will even apply a curves or levels adjustment just to see how it makes the layer deals with it. It doesn’t always work out to my satisfaction, but without trying I wouldn’t know. Happy accidents to happen.

create texture in photoshop

After I’ve achieved a satisfactory file, I will save it (perhaps adding some sharpening first) and then create quick colour variations of the same image by using Adjustments > Replace Color.
By playing around with the sliders here, I can quickly change the overall feel of the image with almost no time invested. The file is then saved with a new file name. For example: purple_clouds.jpg, orange_clouds.jpg, blue_clouds.jpg. These images would be exactly the same, except for the overall colour cast. Doing this gives me 3 colours to choose from instead of one, for the same amount of time invested.

From here you could use any number of filters to increase the variety of backgrounds available to you.  Add noise, reduce noise, stylize, sharpen, distort.  The options are almost limitless it would seem.

Once you have this library of texture layers at your disposal, you increase your ability to concoct the most interesting if images.    I say make at least 20 layers and tuck them away for spontaneous creativity.create texture in photoshop

Give it a shot and see what wonders you can create with a little bit of prep time.

Posted in Adobe Photoshop, experimental, technique | Tagged layers, Photoshop, texture | Comments Off

Viewing World War II Through A Soldier’s Camera Lens

Recently I came across this story from the NY Times, that told the tale of a WWII photographer in the US Army.
He talks about how he started his love of photography, why he did it throughout his military service and why he made as many as 8000 images while serving his country.
Tony Vaccaro, a native Italian emigrated to the USA and served in the War overseas as a photographer working for Stars and Stripes and the magazines Life, and Look.

http://graphics8.nytimes.com/images/2013/03/05/nyregion/04cityroom-photog/04cityroom-photog-articleInline.jpg

©James Estrin/The New York Times
His 83rd Infantry Division was responsible for liberating a number of POW’s at Langenstein on April 11, 1945. “I took everything,” he said. “I felt the world had to see it.”

Mr Vaccaro was one of many recently honored at the United States Holocaust Museum in Manhattan.

Here is a link to this must-read article about an impressive military photographer.

Posted in blog, editorial | Tagged army, holocaust, liberation, military, war photographer | Leave a comment